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Bach Bibliography Search Result |
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| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. | diss. | |||||
| | 2. | Abravaya, Ido | Studies of Rhythm and Tempo in the Music of J. S. Bach. | diss. | xv, 318p | ||||
| | 3. | Adams, David William | 'Modern' Organ Style in Karl Straube's Reger Editions. | diss. | xiv, 222p | ||||
| | 4. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. | diss. | 150p | ||||
| | 5. | Adams, Robert Michael | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. | diss. | |||||
| | 6. | Adler, Gerhard | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. | diss. | |||||
| | 7. | Ahnsehl, Peter | Die Rezeption der Vivaldischen Ritornellform in Umkreis und in der Generation J. S. Bachs. | diss. | viii, 259p | ||||
| | 8. | Ahn, So-Yi | Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. | diss. | 51p | ||||
| | 9. | Albrecht, Timothy Edward | Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach | diss. | v, 211p | ||||
| | 10. | Aldrich, Putnam | The Principal agréments of the 17th and 18th Centuries. A Study in Musical Ornamentation. | diss. | 687 Bl | ||||
| | 11. | Alevizos, Konstantinos | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. | diss. | |||||
| | 12. | Alexander, Daniel | The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. | diss. | 89p | ||||
| | 13. | Alikova, Zoja | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. | diss. | 23p | ||||
| | 14. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. | diss. | 128p | ||||
| | 15. | Allen-Russell, Ann van | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. | diss. | 608p | ||||
| | 16. | Allerup, Albert | Die 'Musica practica' des Johann Andreas Herbst und ihre entwicklungsgeschichtliche Bedeutung. Ein Beitrag zur Geschichte der deutschen Schulmusik. | diss. | 76p | ||||
| | 17. | Allison, Brian Jerome | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... | diss. | 24p | ||||
| | 18. | Allred, Brady Russell | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. | diss. | 128 leaves | ||||
| | 19. | Allt, W. Greenhouse | The organ and its music from medieval times to Johann Sebastian Bach. | diss. | |||||
| | 20. | Altenburg, Detlef | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). | diss. | |||||
| | 21. | Alípio, Alisson | O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. | diss. | 123p | ||||
| | 22. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. | diss. | 126p | ||||
| | 23. | Anthony, John Philip | The Organ Works of Johann Christian Kittel. | diss. | 636p | ||||
| | 24. | Antonian, Robert Edward | Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance. | diss. | 275p | ||||
| | 25. | Arfken, Ernst | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. | diss. | 108p | ||||
| | 26. | Aringer, Klaus | Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. | diss. | 197p | ||||
| | 27. | Arkad'ev, Mihail Aleksandroviè | Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. | diss. | 360p | ||||
| | 28. | Armington, Clara Grace | The development of the pianoforte fugue since Bach. | diss. | 18p | ||||
| | 29. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
| | 30. | Arshagouni, Michael Hrair | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. | diss. | xv, 422p | ||||
| | 31. | Aschauer, Mario | Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. | diss. | 265p | ||||
| | 32. | Asmus, Jürgen | Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. | diss. | 172p, 12p | ||||
| | 33. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. | diss. | 318p | ||||
| | 34. | Auclair, Francis | L'interprétation des œuvres de J.S. Bach. | diss. | 900p | ||||
| | 35. | Augenblick, John Walter | J. S. Bach's Cantata No.5: a Conductor's Analysis. | diss. | 79p | ||||
| | 36. | Austin, Jack Vosseller | Johann Sebastian Bach: an Appreciation. | diss. | 53p | ||||
| | 37. | Axmacher, Elke | 'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. | diss. | 245p | ||||
| | 38. | Bae, Jeong-Suk | Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2. | diss. | vi, 44p | ||||
| | 39. | Bae, Jin Young | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. | diss. | v, 101p | ||||
| | 40. | Bailey, Louis Lee | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. | diss. | 110p | ||||
| | 41. | Baird, Julianne Charlotte | Johann Friedrich Agricola's Anleitung zur Singkunst (1757): A translation and commentary. | diss. | 528p | ||||
| | 42. | Baird, Julianne Charlotte | The vocal serenata of the seventeenth and eighteenth centuries. | diss. | 204p | ||||
| | 43. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. | diss. | |||||
| | 44. | Barbour, J. Murray | Equal Temperament: its History from Ramis (1482) to Rameau (1737). | diss. | 353 Bl | ||||
| | 45. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. | diss. | 136p | ||||
| | 46. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. | diss. | |||||
| | 47. | Barte, Paul Thomas | The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren. | diss. | 821p | ||||
| | 48. | Barton, Pamela Sage | Gender roles in the violin music of Bach. | diss. | iii, 26p | ||||
| | 49. | Bauer, Karen Tillotson | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). | diss. | xiv, 269p | ||||
| | 50. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. | diss. | 159p | ||||
| | 51. | Bayer, Reinhard | Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. | diss. | 88p | ||||
| | 52. | Beck, Kimberly Jean | The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. | diss. | iv, 111p | ||||
| | 53. | Beißwenger, Kirsten | Johann Sebastian Bachs Notenbibliothek. | diss. | 391p | ||||
| | 54. | Beller-McKenna, Catherine Pearson | The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. | diss. | v, 97p | ||||
| | 55. | Bell, Michael Stephen | The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. | diss. | 204p | ||||
| | 56. | Benitez, Vincent P. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. | diss. | |||||
| | 57. | Bennett, Evan | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. | diss. | 256p | ||||
| | 58. | Berdennikova, Ekaterina Mihajlovna | Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. | diss. | 212p | ||||
| | 59. | Berg, Darrell M. | The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle. | diss. | vi, 396p | ||||
| | 60. | Berger, Alfred | Homogenitätsuntersuchungen an den Fugenthemen des 'Wohltemperierten Klaviers' 1. Teil; von Joh. Seb. Bach. | diss. | 37, 12p | ||||
| | 61. | Bergner, Christoph | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. | diss. | 165p | ||||
| | 62. | Berkhan, Jonathan | Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. | diss. | 461p | ||||
| | 63. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. | diss. | |||||
| | 64. | Bertoglio, Chiara | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. | diss. | 466p | ||||
| | 65. | Besch, Hans | Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung. | diss. | vi, 166p | ||||
| | 66. | Beswick, Delbert Meacham | The organ works of Dietrich Buxtehude. | diss. | iii, 105p | ||||
| | 67. | Betancourt, Rodolfo J. | The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004. | diss. | iv, 65p | ||||
| | 68. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. | diss. | 164p | ||||
| | 69. | Bighley, Mark Steven | The Lutheran Chorales in the Organ Works of J. S. Bach. | diss. | 271p | ||||
| | 70. | Bingham, Davis Blair | The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. | diss. | x, 104p | ||||
| | 71. | Bioules, Agathe | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. | diss. | |||||
| | 72. | Bishop, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. | diss. | 42p | ||||
| | 73. | Bittmann, Antonius | Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. | diss. | 620p | ||||
| | 74. | Black, David Ian | Mozart and the Practice of Sacred Music, 1781-91. | diss. | xi, 455p | ||||
| | 75. | Blake, Cevedra Marc | The Baroque Oboe d'amore. | diss. | 677p | ||||
| | 76. | Bland, Leland Dye | The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. | diss. | 403p | ||||
| | 77. | Blankenburg, Walter | Die innere Einheit von Bachs Werk. | diss. | 208p | ||||
| | 78. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
| | 79. | Bloss, Laura | Natural Trumpet Music and the Modern Performer. | diss. | vii, 74p | ||||
| | 80. | Bockova, Tat'jana | Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. | diss. | 21p | ||||
| | 81. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. | diss. | xii, 81p | ||||
| | 82. | Bogle, James George | The development of a musically logical procedure for solving the problems of transcription for guitar performance of J. S. Bach's suite in e minor (BWV 996). | diss. | 507p | ||||
| | 83. | Boldt, Kenwyn Guy | The solo clavier Sonatas attributed to J. S. Bach. | diss. | 32p | ||||
| | 84. | Bolen, Jane | The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. | diss. | |||||
| | 85. | Boomhower, Daniel F. | The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. | diss. | xi, 257p | ||||
| | 86. | Bordignon, Paolo Michele | Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. | diss. | xii, 174p | ||||
| | 87. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. | diss. | |||||
| | 88. | Bormann, Oskar | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. | diss. | 145p | ||||
| | 89. | Borodavkin, Sergej | Principy orkestrovogo myslenija I.S. Baha. | diss. | 20p | ||||
| | 90. | Borris, Siegfried | Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. | diss. | 110p | ||||
| | 91. | Borthwick, Mary Christine | 'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. | diss. | x, 527p | ||||
| | 92. | Borysenko, Elena | The Cantatas of Wilhelm Friedemann Bach. | diss. | 889p | ||||
| | 93. | Boršulâk, Al'ona Miroslavìvna | Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. | diss. | 267p | ||||
| | 94. | Botelho, Mauro | Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. | diss. | xvii, 589p | ||||
| | 95. | Boursy, Richard | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. | diss. | 412p | ||||
| | 96. | Bower, C. M. | Boethius 'The Principlies of Music', an Introduction, Translation and Commentary. | diss. | 93-95 | ||||
| | 97. | Boyd, Megan | The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. | diss. | ii, 147p | ||||
| | 98. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 99. | Brandes, Jeffrey Harold | The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc. | diss. | 94p | ||||
| | 100. | Brandt, T. | Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. | diss. | |||||
| | 101. | Brass, Christophe | La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. | diss. | xii, 867 p | ||||
| | 102. | Brausch, Paul | Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched. | diss. | v, 254, 15p | ||||
| | 103. | Breckoff, Werner | Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. | diss. | 101p | ||||
| | 104. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. | diss. | |||||
| | 105. | Brinkman, Alexander Russel | Johann Sebastian Bach's 'Orgelbüchlein': A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. | diss. | xxiv, 831p | ||||
| | 106. | Brischwein, O. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. | diss. | 104p | ||||
| | 107. | Britt, Carol Delane Currie | The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach. | diss. | 87p | ||||
| | 108. | Brockhoff, Maria-Elisabeth | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. | diss. | 147p | ||||
| | 109. | Brockhoff, Victoia | Das Fugenthema im Wohltemperierten Klavier. | diss. | 78p | ||||
| | 110. | Brofsky, Howard | The instrumental music of Padre Martini. | diss. | iii, 356p | ||||
| | 111. | Brokaw, James A., II. | Techniques of Expansion in the Preludes and Fugues of J. S. Bach. | diss. | xii, 329p | ||||
| | 112. | Brown, Charles S. | The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. | diss. | 350, 230p | ||||
| | 113. | Brown, Louise Fallon | The special attributes of Mozart's scoring in the string quintets. | diss. | 51p | ||||
| | 114. | Broyles, Michael Everett | Textural Interpretations in the chorale Harmonizations of J. S. Bach. | diss. | 471p | ||||
| | 115. | Bruckner-Bigenwald, Martha | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. | diss. | 102p | ||||
| | 116. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. | diss. | 173p | ||||
| | 117. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. | diss. | 133p | ||||
| | 118. | Buchmann, Lutz | Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. | diss. | 256p | ||||
| | 119. | Buelow, George J. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. | diss. | |||||
| | 120. | Bullivant, Roger | The fugal technique of J. S. Bach. | diss. | 1498p | ||||
| | 121. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. | diss. | 151p | ||||
| | 122. | Burdick, Adam David | The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. | diss. | 159p | ||||
| | 123. | Burford, Mark Jon | 'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'. | diss. | 340p | ||||
| | 124. | Burkert, Georg | Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. | diss. | |||||
| | 125. | Burk, James Mack | Band transcriptions of the organ music of Johann Sebastian Bach. | diss. | 78p | ||||
| | 126. | Burns, Lori Anne | J. S. Bach's Chorale Harmonizations of Modal Cantus Firmi. | diss. | ix, 350 Bl | ||||
| | 127. | Butir, L. M. | Instrumental'nyi koncert v tvorèestve I. S. Bacha. | diss. | 27p | ||||
| | 128. | Butler, Gregory G. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. | diss. | |||||
| | 129. | Butt, John Anthony | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. | diss. | 336, 79, 31p | ||||
| | 130. | Buttmann, Rudolf | Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich. | diss. | 70p | ||||
| | 131. | Bynum, Leroy Evans, Jr. | The first Berlin lieder school: The early development of German art song. | diss. | |||||
| | 132. | Byrt, John Clare | Form and style in the works of Sebastian and Emanuel Bach. | diss. | 380, 201 Bl | ||||
| | 133. | Böhnert, Andreas | Studien zum Klavierwerk Wilhelm Friedemann Bachs. | diss. | 
| ||||
| | 134. | Bötel, Friedhold | Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37: Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung. | diss. | 232p | ||||
| | 135. | Callahan, Michael Richard | Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. | diss. | xvi, 293p | ||||
| | 136. | Cammarota, Robert Michael | The Repertoire of Magnificats in Leipzig at the time of J. S. Bach: A Study of Manuscript Sources. | diss. | xvi, 356, 210p | ||||
| | 137. | Campbell, Robert | Mendelssohn's Te Deum in D: Influences and the development of style. | diss. | 150p | ||||
| | 138. | Canave, Paz Corazon G. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. | diss. | xv, 185p | ||||
| | 139. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. | diss. | |||||
| | 140. | Carruthers, Glen Blaine | Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. | diss. | vi, 251p | ||||
| | 141. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. | diss. | ii, 4p | ||||
| | 142. | Ceballos, Sara Gross | Keyboard portraits: Performing character in the eighteenth century. | diss. | 330p | ||||
| | 143. | Cenciarelli, Carlo | Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. | diss. | 552p | ||||
| | 144. | Chabora, Robert Joseph | Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. | diss. | iv, [iii], 202p | ||||
| | 145. | Chambers, Mark | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. | diss. | 115p | ||||
| | 146. | Chamblee, James Monroe | The Cantatas and Oratorios of Carl Philipp Emanuel Bach. | diss. | xiv, 560p | ||||
| | 147. | Chang, Eun-Un | Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. | diss. | 236p | ||||
| | 148. | Chapin, Keith Moore | From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. | diss. | 322p | ||||
| | 149. | Chapman, David | Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. | diss. | xv, 448p | ||||
| | 150. | Charron, John P. | Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. | diss. | 186p | ||||
| | 151. | Chase, Harriet Ruth | German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. | diss. | 293p | ||||
| | 152. | Chay, Il-Soo | A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. | diss. | 248p | ||||
| | 153. | Cheng, Ephraim Ho-Yin | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. | diss. | 198p | ||||
| | 154. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. | diss. | 113p | ||||
| | 155. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. | diss. | 139p | ||||
| | 156. | Chiba, Junnosuke | Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. | diss. | 220p | ||||
| | 157. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. | diss. | 142p | ||||
| | 158. | Chin, Sheila Shin-Yin Lau | Variation techniques in selected organ literature. | diss. | 105p | ||||
| | 159. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. | diss. | 315p | ||||
| | 160. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. | diss. | 153p | ||||
| | 161. | Chung, Erin Hae-Rang | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. | diss. | 117p | ||||
| | 162. | Cimberle, Michela | La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. | diss. | 304p | ||||
| | 163. | Clarke, J. Williams | Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. | diss. | 85p | ||||
| | 164. | Clark, Stephen Lewis | The Occasional Choral Works of C. P. E. Bach. | diss. | ix, 359p | ||||
| | 165. | Claus, Rolf Dietrich | Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke. | diss. | 390p | ||||
| | 166. | Claus, Rolf Dietrich | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. | diss. | 125p | ||||
| | 167. | Claypool, Richard David | J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources. | diss. | 545p | ||||
| | 168. | Clement, Albert | 'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach. | diss. | 282p | ||||
| | 169. | Cline, Gilbert D. | The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument. | diss. | 295p | ||||
| | 170. | Coetzee, Vernon George | Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). | diss. | x, 359p | ||||
| | 171. | Colahan, Ellwood P. | Metric Conflict in The Brandenburg Concertos of J. S. Bach. | diss. | iii, 228p | ||||
| | 172. | Cole, Warwick | The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. | diss. | 357p | ||||
| | 173. | Collister, Phillip Andrew | The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. | diss. | 80p | ||||
| | 174. | Comploi, Franz | Musik und Rhetorik insbesondere bei Johann Sebastian Bach | diss. | 39p | ||||
| | 175. | Connolly, Aisling | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). | diss. | |||||
| | 176. | Connor, Mary John Bosco | Gregorian chant and medieval hymn tunes in the works of J. S. Bach. | diss. | xii, 187p | ||||
| | 177. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. | diss. | |||||
| | 178. | Cook, Larry D. | The German troped polyphonic Magnificat. | diss. | 685p | ||||
| | 179. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. | diss. | |||||
| | 180. | Cooper, Jeffrey Thomas | The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. | diss. | x, 235p | ||||
| | 181. | Cooper, John Michael | Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. | diss. | xv, 455p | ||||
| | 182. | Cooper, Kenneth | The Clavichord, the Bachs and German Emotionalism in the Eighteenth Century. | diss. | 286p | ||||
| | 183. | Corduban, Mihaela-Lidia | Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. | diss. | 312p | ||||
| | 184. | Corneilson, Paul Edward | Opera at Mannheim, 1770-1778. | diss. | |||||
| | 185. | Corra, Arthur B. | A guide to the performance of Bach's B Minor Mass. | diss. | 256p | ||||
| | 186. | Corsini, Antonella | Componenti bachiane nell'opera di Robert Schumann. | diss. | |||||
| | 187. | Cortens, Evan Philip | The Installation Cantatas of C. P. E. Bach. | diss. | 124p | ||||
| | 188. | Costa, Gustavo Silveira | Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo. | diss. | 192p | ||||
| | 189. | Covington, David Lee | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. | diss. | 189p | ||||
| | 190. | Cowdery, William Warren | The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology. | diss. | ii, 319p | ||||
| | 191. | Crean, Elise | The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context. | diss. | 73p | ||||
| | 192. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. | diss. | 123, 70, 2p | ||||
| | 193. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] | diss. | |||||
| | 194. | Crist, Stephen A. | Aria Forms in the Vocal Works of J. S. Bach, 1714-24. | diss. | xv, 337p | ||||
| | 195. | Cron, Matthew | The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. | diss. | xix, 830p | ||||
| | 196. | Cruz, Jennifer | The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. | diss. | xi, 63p | ||||
| | 197. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. | diss. | ii, 81p | ||||
| | 198. | Curtis, Robert Lee | Ludwig Bischoff: a mid-nineteenth-century music critic. | diss. | 442p | ||||
| | 199. | Curtiss, Lola Winchell | A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. | diss. | 66, xii Bl | ||||
| | 200. | Czach, Rudolf | Friedrich Wilhelm Rust. | diss. | 156p | ||||
| | 201. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. | diss. | 138p | ||||
| | 202. | Daele, Erna Bertha Eugeen van | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. | diss. | 156p | ||||
| | 203. | Dalen, Tormod | 'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography. | diss. | 85p | ||||
| | 204. | Dallaire, Charles Joseph Mario | The clarinet in solo, chamber, and concerto repertoire. | diss. | 115p | ||||
| | 205. | Darenberg, Karlheinz | Mimesis: Die Aristotelische Nachahmungslehre im Wandel der Auffassungen und Interpretationen englischer Musikaesthetiker des 18. Jahrhunderts. | diss. | vi, 197p | ||||
| | 206. | Dauer, Robin Lee | Three works for voice and French horn with accompaniment. | diss. | 72p | ||||
| | 207. | Davidson, Ian Bruce | The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. | diss. | 365p | ||||
| | 208. | Davis, Nathan J. | The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012. | diss. | 232p | ||||
| | 209. | Davis, Richard C. | Self Parody among the Cantatas of Johann Sebastian Bach. | diss. | 547p | ||||
| | 210. | Davis, Stacey | Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. | diss. | 266p | ||||
| | 211. | Davis, William Jerryl | A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. | diss. | 290p | ||||
| | 212. | Day, Thomas Charles | Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. | diss. | 201p | ||||
| | 213. | Dehmel, Jörg | Toccata und Präludien in der Orgelmusik von Merulo bis Bach. | diss. | viii, 194p | ||||
| | 214. | D'Elia, Peter | Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. | diss. | iv, 73p | ||||
| | 215. | Delpech, Louis | 'Plus d'étonnement que de plaisir': La première réception française de l'oeuvre de Johann Sebastian Bach, 1801-1840. | diss. | 93, 153p | ||||
| | 216. | Demers, Isabelle | Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. | diss. | 240p | ||||
| | 217. | Denton, John William | The Use of Oboes in the Church Cantatas of Johann Sebastian Bach. | diss. | 214p | ||||
| | 218. | Dequevauviller, Vincent | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. | diss. | 120p | ||||
| | 219. | Dequevauviller, Vincent | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. | diss. | 110p | ||||
| | 220. | Dequevauviller, Vincent | Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. | diss. | 659p | ||||
| | 221. | Derr, Ellwood Shambaugh | Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. | diss. | i, 162p | ||||
| | 222. | Derry, Lisa Anne | The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. | diss. | xii, 243p | ||||
| | 223. | De Troyer, Nicolas | 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. | diss. | |||||
| | 224. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. | diss. | xv, 199p | ||||
| | 225. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. | diss. | |||||
| | 226. | Didenko, Nadezda | Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov. | diss. | 24p | ||||
| | 227. | Diederichs, Barbara | Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. | diss. | 414p | ||||
| | 228. | Diehl, Eleonore | Das Rezitativ bei Bach. | diss. | |||||
| | 229. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. | diss. | 94p | ||||
| | 230. | Dirst, Matthew Charles | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. | diss. | vii, 176p | ||||
| | 231. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. | diss. | |||||
| | 232. | Domizlaff, Ilse | Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. | diss. | 127p | ||||
| | 233. | Dommange, Thomas | Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. | diss. | 623p | ||||
| | 234. | Donat, Friedrich-Wilhelm | Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800] | diss. | xxvi, 104p | ||||
| | 235. | Dougherty, Michael P. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. | diss. | 106p | ||||
| | 236. | Douglas, David James | Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. | diss. | vi, 52p | ||||
| | 237. | Dowdle, Caroline | Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. | diss. | vii, 96p | ||||
| | 238. | Downes, Edward O. D. | The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. | diss. | 1145 Bl | ||||
| | 239. | Dreger, Carl Otto | Die Vokalthematik Joh. Seb. Bachs. Dargestellt an den Arien der Kirchenkantaten. | diss. | 62p | ||||
| | 240. | Dressler, Carolyn Elizabeth | Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. | diss. | 61p | ||||
| | 241. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. | diss. | 165p | ||||
| | 242. | Dreyfus, Laurence Dana | Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. | diss. | 341p | ||||
| | 243. | Druzinin, Sergej Vâceslavovic | Sistema sredstv muzykal'noj ritoriki v orkestrovyh sûitah I.S. Baha, G.F. Gendelâ, G.F. Telemana. | diss. | 210p | ||||
| | 244. | Dube, Michelle Claire | 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. | diss. | 57p | ||||
| | 245. | Duff, Robert Paul David | The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. | diss. | 176p | ||||
| | 246. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. | diss. | xii, 454p | ||||
| | 247. | du Plooy, Jacobus Stephanus | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. | diss. | |||||
| | 248. | Dupont, Wilhelm | Geschichte der musikalischen Temperatur. | diss. | viii, 143p | ||||
| | 249. | Duvall, André Charles | The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study. | diss. | xiv, 192p | ||||
| | 250. | Dykema, Dan Harold | Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. | diss. | 265p | ||||
| | 251. | Dykstra, Brian James | The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. | diss. | xiii, 487p | ||||
| | 252. | Dykstra, Ruth Elaine | Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. | diss. | xii, 167p | ||||
| | 253. | Dürre, Ronald | Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. | diss. | 417p | ||||
| | 254. | Ebicioglu, Kemal | An expert system of harmonization of chorales in the style of J. S. Bach. | diss. | 297p | ||||
| | 255. | Edelstein, Heinz | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. | diss. | 128p | ||||
| | 256. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. | diss. | 247p | ||||
| | 257. | Edge, Dexter | Mozart's Viennese copyists. | diss. | 2416p | ||||
| | 258. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. | diss. | 133p | ||||
| | 259. | Eichberg, Hartwig | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. | diss. | |||||
| | 260. | Eichberg, Hartwig | Unechtes unter J. S. Bachs Klavierwerken. | diss. | 43p | ||||
| | 261. | Eickhoff, Henry John | The Ritornello principle in the organ works of Bach. | diss. | 524p | ||||
| | 262. | Einarsdóttir, Sigrún Lilja | J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. | diss. | 352p | ||||
| | 263. | Eisert, Christian | Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. | diss. | 3 vols | ||||
| | 264. | Elbon, Virginia Elizabeth | Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. | diss. | vii, 33p | ||||
| | 265. | Elferen, Isabella van | Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. | diss. | 286p | ||||
| | 266. | Eli, Markus | Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig. | diss. | 60p | ||||
| | 267. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. | diss. | 140p | ||||
| | 268. | Eller, Rudolf | Die Konzertform Johann Sebastian Bachs. | diss. | 82p | ||||
| | 269. | Ellis, John Robert | Treatment of the Trumpet in the Bible and its Relationship to the Sacred Solo Arias with obbligato Trumpet by Johann Sebastian Bach. | diss. | 79p | ||||
| | 270. | Ellis, Mark | Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. | diss. | 594p | ||||
| | 271. | Ellis, Phillip | A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. | diss. | |||||
| | 272. | Ellsworth, Therese Marie | The piano concerto in London concert life between 1801 and 1850. | diss. | 383p | ||||
| | 273. | Elste, Martin | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. | diss. | 160p | ||||
| | 274. | Endo, Rena | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. | diss. | |||||
| | 275. | Engelhardt, Ruth | Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger. | diss. | vi, 414p | ||||
| | 276. | Engelsdorfer, Amy Lynne | Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. | diss. | 680p | ||||
| | 277. | Engler, Klaus | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. | diss. | |||||
| | 278. | Esch, Christian | Lucio Silla: Vier Opera-seria-Vertonungen aus der Zeit zwischen 1770 und 1780. | diss. | 362, 155p | ||||
| | 279. | Espinosa, Damian | C.P.E. Bach's fantasias: the rhetorical argument. | diss. | vii, 148p | ||||
| | 280. | Esser, Josef | Felix Mendelssohn-Bartholdy und die Rheinlande. | diss. | 106p | ||||
| | 281. | Ettmüller, Michael Ernst | Disputatio Effectus Musicæ In Hominem Gratiosissimæ Facultatis Medicæ Consensu / Præside Michael Ernst Ettmullero,... Et Respondente Christian Gottlieb Jöchero, ... Die Calend. III. Januarii Anni M DCC XIV. Sistens resp. | diss. | 39p | ||||
| | 282. | Evans, Margaret Ruth | An Annotated List of Sacred Cantatas: 1960 - 1976. | diss. | 688p | ||||
| | 283. | Exner, Ellen | The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. | diss. | xiv, 327p | ||||
| | 284. | Fabian, Dorottya | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. | diss. | |||||
| | 285. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. | diss. | vi, 152p | ||||
| | 286. | Falck, Martin | Wilhelm Friedemann Bach. Seine Leben und seine Werke mit thematischem Verzeichnis seiner kompositionen und zwei Bildern. | diss. | iv, 170, 31p | ||||
| | 287. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. | diss. | |||||
| | 288. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. | diss. | |||||
| | 289. | Fall, Henry Cutler | The Passion-tide cantatas of Christoph Graupner. | diss. | ix, 252p | ||||
| | 290. | Fanselau, Rainer | Die Orgel im Werk Edward Elgars. | diss. | 348p | ||||
| | 291. | Faulstich, Bettina | Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800. | diss. | 586p | ||||
| | 292. | Fazekas, Gergely | J. S. Bach és a zenei forma két kultúrája. | diss. | 221p | ||||
| | 293. | Feder, Georg | Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. | diss. | 387p | ||||
| | 294. | Feil, Arnold | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. | diss. | 134p | ||||
| | 295. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. | diss. |
| ||||
| | 296. | Fenley, John Franklin | The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. | diss. | 477p | ||||
| | 297. | Field, Elizabeth Imbert | Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present. | diss. | 194p | ||||
| | 298. | Finlay, Ian F. | Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. | diss. | 98p | ||||
| | 299. | Fischer, Wilfried | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. | diss. | 150p | ||||
| | 300. | Fishbaugh, Ronald Lloyd | Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts. | diss. | 287p | ||||
| | 301. | Fišerová, Hana | Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina. | diss. | 63p |
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